Category: Uncategorized
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LES in high contrast
Adox CHS 25 blown out in Lightroom. Easy way to salvage an out-of-focus shot and turn it into an arresting image.
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Diamond door
Somewhere south of Atlantic Avenue. Canon FT, 50/1.8, Adox CHS 25
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Bus to nowhere
Ilford Delta 3200, 2 sec. exposure, 50/1.8
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Port Angeles
Fuji Acros 100, Yashica 635, 250/f11
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Space Needle x 3
Triple exposure, solarized Acros 100
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The state of real estate
Mixed media.
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Something different
Words and image. Urban anxiety, St. Louis style.
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Heads
Fuji Acros 100 shot w. my Yashica 635. This was a 15th of a second exposure at f3.5. I had to use a plastic napkin holder as an impromptu tripod, but it worked!
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Two in Rodinal (aka Adonal)
Two radically different b/w stocks with my faithful Canon AE-1 50/1.8. Visiting the St. Louis City Museum.
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Betty in black and white
One of the joys of a museum’s permanent collection is that you can photograph it. Betty at St. Louis Art Museum.
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Stairwell
Exploring the new wing of the St. Louis art museum and a new film stock, Bergger BFP 400.
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Bridge to somewhere
One from the recent archives: Sunset Park waterfront.
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Pipes four ways
Gowanus and Park Slope pipeage. Fuji Acros 100.
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Treewirewindow
Frame and a half magic. Canon FT, 110/2.8. Kodak Tmax 100 w. red 25 filter.
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Mary by moonlight
Seeing what I can do with my Yashica at nighttime. Ilford 3200 shot at 3.5/60
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Stand. Pipe.
More Yashica/Acros goodness. Stalking pipes in East Williamsburg.
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Layers and boxes
The more I shoot with Fuji Acros 100, the more I am impressed by its silky blacks and range. I’m also pretty smitten with my Yashica 635, which took this shot.
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VIP
Facing fences on the Lower East Side. Zeiss Contaflex 50/2.8, Fuji Acros 100.
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Shadows and lines
Another glimpse from Demolition Depot.
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Rub-a-dub
The backside of a tub. Exploring Demolition Depot in Harlem. Zeiss Contaflex 50/2.8. Fuji Acros 100.
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The crack-up
Ilford HP5, Canon AE-1 50/1.8.
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Curves
Canon FT, 50/1.8. Fuji Acros 100.
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